The Journal of Culture Contents ISSN:2287-2256(Print) 2671-7026(Online) 문화콘텐츠연구

Corona 19 (Covid 19) is forcing a “distance” from everything. Meeting with museum exhibits was no exception including cultural heritage. All of the museum and the outdoor exhibition zone of cultural relics, which are the main cultural bases for encountering cultural heritage are closed. According to a survey by UNESCO and the International Museums Council (ICOM), most of the world’s museums were closed at the peak of coronavirus at the end of April, and most of the museum workers work from home. This situation brought about a rapid transition to an online (LAN) exhibition that promotes the Zipcock cultural life at once. Google Art & Culture’s service expansion is a representative example, and digital content has become the overwhelming mainstream by creating an equation of online content, exposing various problems. However, in online content, the nature of Homo Ludens does not satisfy the desire for direct communication with the liveness of museum exhibitions. Now, although uncomfortable” by means of digital technology in order to cope with the distorted situation that takes un-tact for granted, it is necessary to reinforce the concept of “digi-tact” that “confronts the original value of spatial content. on-off line fusion Digi-log exhibition contents based on the existing “Digital Museum” are newly presented at this point, “Digital Museum” said, “It does not create a virtual museum, but rather puts emphasis on actively using computers (digital exhibitions) in a real museum.” The corona pandemic variable should be applied to the convergence of the four major spaces (physical space, electronic space, ubiquitous space, and user experience space) discussed in this project. To this end, the concept of “touchless-on” was increased from “touchs-on” to digital devices that are common in exhibition media. we propose an exhibition experience plan that allows viewers to realize their confrontation and individuality with the exhibits based on DigiTact in the era of corona coexistence by actively introducing the ‘AI based Exhibition’ customized for the users of the 4th Industrial Revolution. As Atali pointed out, we must become new artists and create a way to communicate with the cultural heritage of the era of corona coexistence. If digital technology is limited to online technology and abandoning the happy “facing” with the exhibition object, the museum exhibition will collapse. we maintain “distance” between people by mediating digital technology, but experience “spatial content” in an inconvenient but abundant way. The correct direction for museum exhibitions is still Digilog ‘convergence’, and heads for ‘solidarity’ between culture and culture.